Steve jobs 2015 andy actor
Instead, we never see the products presented, only the moments leading up to their introduction, and the ways in which Jobs’ arrogance comes to a head.
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The story’s pacing never slows, cycling through two more major launches (of the NeXT computer and the iMac) which could have easily turned into run-of-the-mill presentation scenes. Nothing is explained outright, but the film immediately trusts the audience to keep up. The scene is theatrical, dramatic and somewhat disorienting. It’s easy to forget who Fassbender is even playing until his character finally stalks off the stage and into his dressing room, where “Steve Jobs” is spelled out on the door.
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“It has to say ‘hello,’” Jobs insists over Hertzfeld’s warnings that it’s too complex a change to make in such a short period of time. It’s 1984, hours before the launch of the Macintosh computer, and Jobs is clashing with engineer Andy Hertzfeld (Michael Stuhlbarg) and marketing executive Joanna Hoffman (Kate Winslet) over the computer’s failed voice demo. Similar to The Social Network, Sorkin’s previous biographical drama, Steve Jobs opens in the middle of an argument.
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Casting actors who resemble the people they’re portraying is essentially Biopic 101, but Boyle (and writer Aaron Sorkin, who adapted the screenplay from Walter Isaacson’s 2011 biography of the same name) never set out to make a film that fit neatly within the conventions of the genre. Fassbender himself even acknowledged he didn’t look “anything” like the Apple co-founder. When Michael Fassbender was announced as the star of Danny Boyle’s Steve Jobs biopic - after a lengthy casting process that included the likes of Christian Bale and Leonardo DiCaprio - his lack of resemblance dominated the conversation.